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Publikationen

Books and Edited Volumes

Articles and Book Chapters

  • “Introduction.” Co-authored with Alisa Ballard Lin. In SEEJ, Medical Humanities Forum. Edited by Alisa Ballard Lin and Elena Fratto (forthcoming, Summer 2021).
  • “Science.” In Chekhov in Context. Edited by Yuri Corrigan. Cambridge University Press, forthcoming (Fall 2022).
  • “The Medical Science.” In Tolstoy in Context. Edited by Anna Berman. Cambridge University Press, forthcoming (Summer 2022).
  • “Introduction.” Co-authored with Alec Brookes. In Russian Literature of the Anthropocene, special issue of Russian Literature. Edited by Alec Brookes and Elena Fratto, Volumes 114-115, June-July 2020: 1–22.
  • “Endocrine Glands and the Anthropocene: Metabolic Storytelling in Mikhail Bulgakov’s Heart of a Dog.” In Russian Literature of the Anthropocene, double special issue of Russian Literature. Edited by Alec Brookes and Elena Fratto, Volumes 114-115, June-July 2020: 45–65.
  • “Getting the Story Straight: The Poetics of Non-Euclidean Space in Dostoevsky’s “The Grand Inquisitor” and Kaverin’s ‘The Eleventh Axiom’.” Russian Review 77 (July 2018): 396–410.
  • “5=100: Long Live the Filologicheskaia Revoliutsiia.” Slavic Review 76 (2017), Special Issue: 1917-2017, The Russian Revolution a Hundred Years Later: 675–682.
  • “Introduction: Narrative Theories and the Medical Humanities.” In Elena Fratto, ed. Narrative and Medicine, special issue of Enthymema 16 (2016): 1–5.
  • “Narrative Time and the Thyroid: Hormone Secretions and Storytelling in Italo Svevo’s Doctor Menghi’s Drug.” In Elena Fratto, ed. Narrative and Medicine, special issue of Enthymema 16 (2016): 60–73.
  • “The Artifice of Time: On Displacement, Re-Focalization and Experimentation in Lucretius and Calvino through the Lens of Nineteenth-century astronomy.” Atene e Roma 4 (2015): 310–320.
  • “Meditsinskaia praktika kak siuzhetoslozhenie. Interpretatsiia bolezni Ivana Il’icha” [Medical Practice as Plot-Construction. The Interpretation of Ivan Il’ich’s Disease]. In Proceedings of the 2014 International Leo Tolstoy Conference at Iasnaia Poliana, ed. by Galina Alekseeva, Iasnaia Poliana, 2015.
  • “Material and Device: Notes on Cinematic Techniques in Iurii Tynianov’s Narrative,” Toronto Slavic Quarterly 35, Winter 2011: 21–34.
  • “Com’è fatto il Maršrut v bessmertie di Boris Ejchenbaum,” Europa Orientalis 29 (2010): 313–369.
  • Boris Eikhenbaum mezhdu teoriei i literaturoi: roman “Marshrut v bessmertie.” In Roman Voitekhovich (ed.), Russkaia filologiia 20 (2008): 20–25. Conference proceedings of the Twentieth International Conference on Russian Philology held at Tartu University (Estonia) on April 25-27, 2008.
  • “Chi vuol essere Jurij Gagarin? Kitsch, icone sovietiche e sottoculture: l’esperienza dei rejvery” [Who Wants to Be Yuri Gagarin? Kitsch, Soviet Icons and Underground Culture: the Reyvery Phenomenon], eSamizdat 1 (2005): 155–160.

Book Reviews

  • Remo Ceserani. Convergenze. Gli strumenti letterari e le altre discipline. Milano: Mondadori, 2010. In Letteratura e letterature 6 (2012): 135.
  • Maria Antonella Pelizzari. Photography and Italy. London: Reaktion Books, 2010. Published in The Romance Sphere. The Online Magazine of the Department of Romance Languages and Literatures at Harvard University, May 2011. http://romancesphere.fas.harvard.edu/icb/icb.do?keyword=k56942&pageid=icb.page414168
  • Umberto Curi. Straniero. Milano: Cortina, 2010. Published in The Romance Sphere. May 2011. http://romancesphere.fas.harvard.edu/icb/icb.do?keyword=k56942&pageid=icb.page421159
  • Marko Juvan, Jelka Kernev Štrajn, eds. Teoretsko-literarni ibridi: o dialogu literature in teorie / Hybridizing Theory and Literature: On the Dialogue between Theory and Literature, Ljubljana 2006. In Studi Slavistici 4 (2007): 323–327.

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